Name that opera!
“Guess whose coming to dinner…?”
Name that opera!
“Guess whose coming to dinner…?”
We had a wonderful night at Chatteris on Midsummer night (21st June) and so too did the audience – here’s what the reviewer said:
Hatstand Opera presented some golden moments from opera on Saturday in Chatteris for the Music Society. This was one of the many high profile events the Society has organised and it was, indeed, a series of ‘golden’ moments. Opera favourites were mixed with lesser known delights in this varied programme and the evening ended with some highly entertaining re-workings of more, familiar tunes. The whole evening was a thoroughly enjoyable experience, because not only was the singing first-rate but joy and humour regularly infused the programme, leaving us mesmerised.
Toni Nunn (soprano), Kirsty Young (mezzo), and Jochem van Ast (baritone) were in fine voice and very ably accompanied by pianist Sue Graham Smith. Songs were sung mostly in English but we were entertained with some delightful numbers in their original language. The French sounds of ‘The Flower Duet’ helped to make this one of the most memorable items. Toni and Kirsty’s voices were perfectly matched in this piece as were all voices in ‘Soave sia il vento’ from Cosi fan Tutte by Mozart.
The highlight for me was Toni’s performance of ‘Vissi d’arte’ from Puccini’s ‘Tosca’. The Italian language, the smooth phrases infused with passion and, of course, the wonderful voice was transfixing. Kirsty and Jochem were also impressive singers and their characterisation and humour were most engaging. There was not a dull moment in this array of opera gems. Meanwhile, constantly providing expert support was Sue Graham Smith on piano. No matter how intricate or rapid the accompaniment, she played with absolute security and accuracy, adapting to the songs’ mood swings perfectly.
This was a highly entertaining evening well worthy of its enthusiastic support.
Can you name the Opera?
Father is less than enthusiastic about son’s love affair with ageing, bankrupt, terminally ill prostitute. Can you believe it?
Picture: Toni in the lead role
Remember to get your tickets early for our return to Chatteris.[imageeffect type=”frame” align=”aligncenter” width=”650″ height=”636″ alt=”Hatstand Opera performance in Chatters 21 June 2014″ url=”http://www.hatstandopera.co.uk/wp-content/uploads/2014/06/Chatteris_2014_PinterestWeb3.jpg” ]
Statement: ‘brilliantly sustained throughout its range’
Meaning: sings just as loudly at any pitch
from “A Musician’s Dictionary” by David W Barber
“It’s unique, you know’, our performance hostess beamed, “Gale force fog. Only the Channel Islands get it.” And boy oh boy, do they get it.
Our tours to the Channel Islands are something we look forward to immensely. Four islands and eight performances in five days may sound hectic, but it never really is, thanks to efficient organisation on the part of the Channel Islands Music Council, and copious amounts of alcohol provided by our various hosts on the islands.[imageeffect type=”frame” align=”alignright” width=”226″ height=”270″ alt=”Beautiful Sark in the sun” url=”http://www.hatstandopera.co.uk/wp-content/uploads/2014/04/Web_beautiful_Sark.jpg” titleoverlay=”yes”]
However, such a tight timetable doesn’t leave much room for error. Our usual adversary are the tides around Sark, which seem determined to ensure that we always have to make a dash down to the harbour to catch the ferry after the schools workshop, held horribly early in the morning. We were counting our lucky stars as we bounced back across to Guernsey on the ferry (a.k.a. tug-sized boat with cabin seating and two benches out on the back.) Yes, it was ‘choppy’, and yes we did have to hang on like grim death to avoid being rolled into the briny, but even I managed to keep my dignity intact. (I usually get sea-sick on a millpond, so I was feeling pretty chuffed with myself.) Did you know you can’t sing and be sick at the same time? So if the feeling comes over you, get to the outside and sing![imageeffect type=”frame” align=”alignleft” width=”259″ height=”270″ alt=”Our luggage!” url=”http://www.hatstandopera.co.uk/wp-content/uploads/2014/04/Web_us-and-luggage.jpg” titleoverlay=”yes”]
When we arrived, we rolled onto the harbour side, piled the cases into the taxi, and headed up to the airport for the flight to Alderney. This means small planes, and I mean, small, like ten seats, and just enough room for the luggage. Or so we thought. No, said Blue Islands airways, you can’t take the luggage. It’s our props and costumes, we wailed, we have a show to do. No, said they, you can’t take ANY luggage, no clothes, no show stuff, nada, just hand luggage.
[imageeffect type=”frame” align=”alignright” width=”270″ height=”265″ alt=”Essential prop!” url=”http://www.hatstandopera.co.uk/wp-content/uploads/2014/04/Web_essential_prop.jpg” titleoverlay=”yes”]
So, a frantic repack later, and a promise from the airline to DEFINITELY get our luggage to us by 9am the next day, (or we would set Toni the soprano on them), we boarded the plane with just a plastic carrier bag each, a briefcase of music and a plastic chicken (there are just some props you cannot do without).[videoembed type=”jwplayer” align=”alignleft” width=”308″ height=”231″ url=”http://youtu.be/S9eUXKGxuBc” id=”0″]
Then the problems started. Thick fog rolled in, and the next morning (Thursday) we couldn’t see the end of the garden, let alone the sea. We performed the schools workshop in jeans, and waited for our luggage – in vain. Fog meant no planes, and no planes meant, no luggage. So, we did the evening show in our morning workshop jeans and trainers, except our Toni, who in true diva fashion had packed into her carrier bag some extra make-up, a pair of high heels and some tight designer jeans. We became inventive with props – the chicken was for the workshops – but Carmen needs some castanets, so the only thing for it was to play the spoons. I’ll never sing the seguidilla again without longing for spoons!
By now it’s cold, really cold, and all our fleeces and jackets are in – Guernsey airport. So, stoically, we borrow jumpers from our extremely accommodating hosts, and eat cake with lashings of yellow Alderney butter next to the wood-burning stove in our cosy boathouse accommodation. Come Friday morning, and we’re due in Jersey for an afternoon workshop and evening performance, but there are still no planes. However, we are on fifteen-minute standby just in case the fog lifts just a smidgen. I now know how WWII Spitfire pilots felt; fifteen-minute scramble is not fun. We have to cancel the Jersey show, the first time EVER we have not made a performance, and we feel absolutely awful. So, in true Alderney fashion, we drown our sorrows by working our way through our host’s wine cellar.[imageeffect type=”frame” align=”alignleft” width=”410″ height=”250″ alt=”The rather small boat to take us to Guernsey!” url=”http://www.hatstandopera.co.uk/wp-content/uploads/2014/04/Web_Billys_boat.jpg” titleoverlay=”yes”]
By Saturday morning, the boys were wearing holes in the carpet in frustration. Then my mobile rang – it was the airport. “No flights” they said, “But Billy’s taking his fishing boat ‘Out of the Blue’ the twenty miles to Guernsey. Do you want a place?” I booked us in pronto, and we legged it down to the harbour. Then we saw the boat. Or rather, the fishing smack the size of a large pick-up truck, with an open back and a tiny cabin. Toni freaked and I joined her. The boys did the macho thing and we did the ‘wave them off at the quayside’ thing. For the boys, the adventure had only just begun…
To be continued…